London Fashion Week, Editorial Coverage, SS26
Three days in London, flat out! Early call times, tight pits, heavy schedules. Worth it. I covered multiple UK powerhouses across venues scattered around the city, hotels, galleries, off-schedule spaces. Packed rooms, fast turnarounds, strong collections.
Highlights
Paul Costelloe
Confident lines, crisp pacing, finales that landed. Broad coverage worked, hero strides for press, a few tight details for socials.
Venue - Palm Court, The Waldorf Hilton, Aldwych.
Agro Studio
Compact space, sharp silhouette work, rich texture. Side aisle motion passes and close crops earned the keepers.
Burberry
High demand, tight risers, strict cues. Long glass for runway heroes, wides for the brand world and crowd energy. Press ready sequences.
Venue - Perks Field, Kensington Palace Gardens.
Unifold
Concept first, graphic forms, measured tempo. Low center angles clarified silhouette, corner position gave fabric lift and clean negative space.
Poet-Lab
Minimal palette, precise layering, tailored cuts. Mid run detail passes showed make and finish, backstage added human texture without clutter.
Venue - St John’s Church, Hyde Park.
Genaro Rivas
Bold colour, energetic line, fast walk. Center lane held rhythm, off axis shots added motion that reads in reels.
Venue - Knightsbridge, London.
Fashion Scout
New-gen talent, tight rooms, quick turnarounds. Fast primes for intimacy, quick wides to bank atmosphere for editorial sets.
Venue - Shoreditch presentations.
Flair Fashion
Polished styling, clean lines, accessories with intent. Tight crops on jewellery and bags, finale stacks that play well in carousels.
Tifaret
Structured drape, elegant flow, calm pacing. Low angles kept lines long, backlit frames gave fabric glow that holds in print.
Richard Quinn
Statement florals, sculpted glamour, high drama. Contrast and surface finishes popped under show light, cover ready from first walk to finale.
Venue - St John’s Smith Square, Westminster. Naomi Campbell opened in a black velvet gown with a constructed
How I shot at the shows
Primary body, Sony A7 III, 70 to 200 f4, AF-C with tracking, burst high, 1 over 640 or faster, f4, ISO variable.
Second body, Sony A7 II, 24 to 70 f2.8, wides, walk shots, room scale.
White balance, tungsten or daylight as needed, corrected in post.
Positions - center lane for look ones and finales, side aisle for gait and fabric shape, rear aisle for symmetry and room context.
Delivery, same day selects to agencies, full edit inside 24 hours, accurate captions and credits.
Standout moments
UK Supermodel Naomi Campbell's opening for Richard Quinn in a black velvet gown with a constructed capelet. The room lifted, risers steadied, and the camera line stayed clean. Sharp, press ready frames that captured the show.
Work with me
Runway coverage, backstage reportage, editorial looks for press and brand channels. Fast, consistent, on brief. All new enquiries welcome.
On to Chester Fashion week after next - see you there, or follow here for more highlights!